Caribbean Literature in English (Longman Literature In English Series) by Louis James

Author:Louis James [James, Louis]
Language: eng
Format: azw3
ISBN: 9781317871200
Publisher: Taylor and Francis
Published: 2014-07-29T16:00:00+00:00

Notes

1. See Intellectuals in the Twentieth-century Caribbean (London, 1992), vol. II, edited by Alistair Hennessy.

2. Edward Brathwaite, Contrary Omens (Kingston, Jamaica, 1974), p. 64. See also Bridget Jones, ‘“The unity is submarine”: aspects of a pan-Caribbean consciousness in the work of Kamau Brathwaite’, in The Art of Kamau Brathwaite (Bridgend, 1995), edited by Stewart Brown, pp. 86–100.

3. ‘Nicholas Guillén, “National identity” and “Mestaje”’, reprinted in Carifesta Forum (Jamaica, 1976), pp. 35–40; see also Antonio Benítez-Rojo, The Repeating Island, ch. 3.

4. Naomi M. Garret, The Renaissance of Haitian Poetry (Paris, 1963).

5. See Michael Dash, Literature and Ideology in Haiti (London, 1981).

6. Jacques Roumain, Masters of the Dew, translated by Langston Hughes and Mercer Cook, with an introduction by J. Michael Dash (Oxford, 1978).

7. Roger Little, Saint-John Perse (London, 1973), p. 20.

8. Derek Walcott, ‘The Muse of History’, in Is Massa Day Dead?, edited by Orde Coombs (New York, 1974), p. 3.

9. Aimé Césaire, Notebook of a Return to my Native Land (Cahier d’un retour au pays natal), translated by Mireille Rosello with Annie Pritchard ([1939] Newcastle-upon-Tyne, 1995), p. 73.

10. Aimé Césaire, Notebook, p. 109.

11. Ibid., p. 115.

12. Ibid., p. 115.

13. See Refusal of the Shadow. Surrealism and the Caribbean, edited by Michael Richardson (London, 1996).

14. Derek Walcott, ‘The Muse of History’, in Is Massa Day Dead?, edited by Orde Coombs (Garden City, N.Y., 1974), p. 13.

15. Joseph Zobel, Black Shack Alley, translated by Keith Q. Warner (Colorado Springs, 1980), p. xix.

16. Frantz Fanon, Black Skin, White Masks ([1952] London, 1986), p. 133.

17. Ibid., p. 110.

18. Ibid., p. 197.

19. ‘Foreword’, ibid., pp. xix–xxv.

20. George Lamming, ‘The Negro Writer in his World’ [1956], in Conversations with George Lamming, edited by Richard Drayton and Andaiye (London, 1992), pp. 36–45.

21. Frantz Fanon, The Damned ([1961] Paris, 1963), translated by Constance Farrington, p. 193.

22. Pleasures, p. 157.

23. Ibid., p. 38.

24. Ibid., p. 45.

25. Ibid., p. 39.

26. Alistair Hennessy, Intellectuals in the Twentieth-Century Caribbean (London, 1992), vol. I, pp. 115–78.

27. C.L.R. James, The Black Jacobins ([1938] Vintage edition, New York: Random House, 1963), p. 391.

28. C.L.R. James, ‘What is Art?’ [1963] in The C.L.R. James Reader (Oxford, 1992), edited by Anna Grimshaw, p. 326.

29. See Gikandi, Writing in Limbo, pp. 42–56.

30. The phrase from E.M. Roach’s poem ‘Fighters’ gave Lamming the title for his essay, ‘Black Rock of Africa’, African Forum, I, 4 (1966), pp. 32–52.

31. Kamau Brathwaite, ‘Timehri’, Savacou (September 1970), p. 38.

32. Edward Kamau Brathwaite, Contrary Omens (Jamaica, 1974), pp. 38, 62.

33. Ibid., p. 64.

34. The most easily accessible English selection is Caribbean Discourse, translated by Michael Dash (Charlottesville, 1989).

35. Derek Walcott, Another Life, p. [vi].

36. Derek Walcott, ‘The Muse of History’, in Is Massa Day Dead? (Garden City, New York, 1974), p. 4.

37. Derek Walcott, ‘The Muse of History’, revised version, in Critics on Caribbean Literature (London, 1978), p. 39.

38. The term ‘Magical Realism’ was first coined in 1924 by the German art critic Franz Roh to characterise post-Expressionism.

39. Alejo Carpentier, ‘On the Marvellous Real in America’, preface to El reino de este mundo (1949), reprinted in Magical Realism, edited by Louis Parkinson Zamora and Wendy B.

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